Sunday, February 18, 2007

Manila: Kiong Hee Huat Chai!

We've always known the Cantonese version of the Lunar New Year greeting which is Kong Hei Fat Choi. It means "congratulations and be prosperous" and not "Happy New Year" as most Filipinos assume. But since most Chinese Filipinos trace their ancestry to Fujian province, the residents of Binondo are popularizing the Hokkien version which is Kiong Hee Huat Chai! This holiday is not only celebrated by the Chinese but shared by the Koreans (Seollal), Vietnamese (Tết), Mongolians, Tibetans (Losar), the Nepalese and the Bhutanese as well.

Yesterday was the eve of the Lunar New Year. As I was nearing the Binondo Church, I bumped into dragon dance group making its way along Ongpin Street. Anyway, my tokayo (Filipino term for person with the same first name) Manila streetwalker Ivan ManDy had a tour scheduled in the afternoon so I waited for him at the church lobby. He arrived at 2 p.m. together with two other bloggers, Anton Diaz and Sidney Snoeck. Anton and family joined his morning tour while Sidney bumped into their group. Since I've already been on his walking tour (check out this old entry on the Big Binondo Food Bowl), I decided to join Anton and Sidney for a walk around the place to look for some action.

And it wasn't difficult to look for dragon and lion dance groups since they were all over the place. The lion dance is often confused with the dragon dance. If it's just one or two people, it's a lion. We finally found a big dance group and decided to follow them since we figured they knew which shops to stop at. And our hunch was right since we were led to a shop with a load of firecrackers hanging in front of it.

All these groups were after the little red envelopes filled with money, called ang pao in Hokkien, which were taped on the ceilings of the shops. But one thing I noticed was that most of the dance groups were not Chinese at all, obviously outsiders after the loot. There were even ati-atihan groups who were quite aggressive, giving red envelopes to by-standers hoping they would put something inside for them.

Since the afternoon sun was quite hot, there were not that many groups yet. So we decided to rest a bit and have dimsum at President Tea House on Salazar Street near the corner of Ongpin. I had hakkao, polonchai dumplings, spinach dumplings, japanes siomai and taupe rolls. We saw the mango shakes on the other table and couldn't resist ordering for ourselves too. Thanks to Sidney for the treat! We also bumped into Señor Enrique there.

The shops outside were also loaded with fruits, "lucky" plants and new year decorations and good luck charms. Of course, tikoy was in abundance too. There were long queues to buy tikoy, hopia and other goodies at the more popular outlets.

We continued our walk and found even more action. Along Ongpin, the crowds were increasing as they watched the different groups perform in front of the shops. The shop owners would place a bowl of candies and coins in front of their shops for the lions to "eat." The lions would then "spit it" to the crowds who all rush in to grab the goodies. Of course, the end of the routine would be the lighting of firecrackers. In fact, the lions would play around with the other end of the firecraker belt, "biting" it with its mouth. This time, the fumes were just too much for me to handle and I ended up coping with an asthma attack.

At 5:30 p.m., we parted ways and I ended up joining the tail-end of Ivan ManDy's tour which was a visit to the Guan Gong Temple. After the temple visit, we made a left on Nueva Street (the Lord Mayor of MayniLA changed the name to Yuchengco), and entered this alley which is known as Carvajal Street. The alley is a food haven with its myriad of hole-in-the-wall tea houses and vendors who sell anything from fruits, vegetables, fish and other delicacies.

We ended up in Quintin Paredes and our last stop, the New Po-Heng Lumpia House in the Uy Su Bin Building. Of course, their fresh lumpia is healthy and delicious. After the tour, I asked my tokayo to accompany me to my favorite dumpling shop along Nueva Street, Dong Bei Dumplings. I took home frozen xie ping (fried stuffed pancakes) and chui kio (dumplings). From there, we went back to Ongpin where I bought a box of tikoy and ube hopia from Eng Bee Tin.

Anyway, got a lot of work piled up for school, work and my NGOs. Check out the rest of my photos in Multiply. Kiong Hee Huat Chai!

Saturday, February 17, 2007

Manila: Underneath the urban chaos hides Manila's former glory

I was at Binondo today to join in the Lunar New Year festivities. Since it was definitely going to be a traffic nightmare in Binondo, I decided to park at that unsightly shopping mall beside the City Hall of Manila (I must admit, I finally saw use for it... hehehe!) and walk to Chinatown from there. I also saw it as an opportunity to check out all the neglected heritage buildings along the way.

As I've mentioned over and over again, that uninteresting mall beside City Hall used to be where the elegant YMCA Building designed by Archt. William Parsons stood. Right beside it is an early post-war government building, one among many decrepit heritage buildings near City Hall, the former GSIS Headquarters. It was a pity looking at the building. From the architectural details, I could imagine just how chic it was during its heyday.

One thing the City Government of Manila lacks is creativity. There is such a thing as adaptive reuse Mayor Atienza. The GSIS Building could have been by used for the Unibersidad de Manila, and it would have been an elegant school building at that, instead of constructing that boring building in Mehan Gardens.

Aside from the fact that it was built on an important historical and archaeological site, it lessened the open space in Manila. We were discussing in my land use planning class yesterday that Filipinos seem to hate open spaces since when a local government sees one, they try to build something on it. In Mehan Gardens alone, Atienza had succeeded in constructing the UDM campus and Park & Ride. Check out this article for more details.


Anyway, right in front of UDM itself was another heritage government building that could also have been used by the UDM. But the National Waterworks and Sewage Authority building was obviously as derelict as GSIS. What a waste of architectural treasures right beside City Hall!

I continued my walk and saw that controversial DepEd building Atienza built in the Arroceros Forest Park. Oh brother! From outside, Arroceros was a sorry sight, heavily damaged by two typhoons, one named Milenyo and the other named Jose. If Winner Foundation was still on top of things, I'm sure the trees would have been rehabilitated immediately after Milenyo.

At the end of the road was the jewel of all decrepit heritage treasures in the vicinity of City Hall, the Metropolitan Theater. Need I say more?

I hope they are able to bring back the grandeur of that charming edifice which has Art Deco written all over it. But sadly, as early as now, one could already see that declared structures such as the Metropolitan Theater won't be spared by the elections. Attention Comelec, not only did Gabriela place their posters outside the designated posting areas, they violated PD1505 by desecrating a national historical landmark and had the gall to place their posters right beside the NHI marker at that!

At least across the street, Liwasang Bonifacio (formerly known as Plaza Lawton) had already been rehabilitated. Beside it, another imposing Manila landmark, the Central Post Office stands like a proud sentinel of Manila's former glory (before the city was carpet-bombed by American forces in the final days of the Second World War, it was among the great cities of Asia and the world). I guess there is a glimmer of hope for Manila's heritage.

I continued my walk across the Pasig River via the Jones Bridge. It's sad that they did not restore this bridge following the original plans of Archt. Juan Arellano. From the west side of the bridge, you could see Intramuros on your left and Binondo on your right. Again, amidst all the urban chaos, two buildings standout: the El Hogar Building and Pacific Commercial Building. I hope they restore these buildings soon.

At the end of the bridge, the Philtrust Bank Building (another grand pre-war building that should be restored) and a welcome arch greets visitors as they enter Chinatown. Along Quintin Parades Street, more Art Deco buildings still stand. And it was a pleasant surprise to see many of these old buildings freshly painted. And I also noticed that they are foreign banks, namely Citibank and HSBC which chose to locate in chic pre-war buildings. I guess it's because they know the value of the said buildings.

Anyway, my walk ended at the Binondo Church. Few people know that only the facade is original since the church was bombed too during the Second World War. But the current interior is just so nouveau riche, a cheap and pitiful imitation of St. Peter's Basilica in the Vatican. Binondo, with all its money could definitely do better than that.

Watch out for Part II tomorrow. Kiong Hee Huat Chai!

Tuesday, February 13, 2007

Manila: A visit to De La Salle University

Since I started talking about university chapels, here is another one. I was quite excited when I received an invitation from DLSU Liga Historia to speak about heritage at De La Salle's alternative class day called LEAP (Lasallian Enrichment Alternative Program) since I had been wanting to check out the De La Salle University campus for the longest time. I had heard so many good things about its pre-war university chapel from a lot of friends. So as soon as the talk ended, I went straight to the Chapel of The Most Blessed Sacrament on the second floor of its neoclassical main building, St. La Salle Hall.

It was in November 19, 1939 that the chapel was completed and dedicated to St. Joseph. The chapel figured prominently during the Second World War having served as a refuge for brothers, priests and families. On February 12, 1945, drunken Japanese troops massacred 16 brothers and 25 civilians in the chapel. In 1947, the chapel was rededicated to the Blessed Sacrament with a ceremony of reparation for the desecrations perpetrated in the chapel.

St. La Salle Hall itself was completed in 1924. It was designed by renowned architect Tomas Mapua. I had wanted to take a photo of the facade of the building. But to my horror, a single-story structure had been constructed right smack in front of the building. Constructing the Marilen Gaerlan Conservatory in front of its main building is one of the biggest mistakes DLSU had made. Check out the old postcard in the inset featuring St. La Salle Hall when there was still a lot of open space in front of it.

As Wikipedia notes, since its completion in 1998, the conservatory has completely blocked the ground level of St. La Salle Hall. Despite its abundance of funding sources, DLSU seems to be ill-advised with regard to campus planning and the proper construction, scale and location of its new buildings. It was even more depressing when I went to the second floor of the main building since instead of a courtyard, one would see the roof of the conservatory. How sad!

Another thing I noticed was the importance (or lack of it) DLSU gave to the Philippine flag. Aside from the flagpole being really short (many public elementary schools have taller flagpoles), it was relegated to the corner of an amphitheater. For a university as prestigious as De La Salle, surely it has the funds to erect a taller and more appropriate flagpole befitting our national flag and place it in a prominent location in campus, maybe in front of the main building or at the center of its main quadrangle. The Philippine flag is our most important national symbol and schools should stress to their students the importance of respecting our flag as part of strengthening Philippine nationalism. So I suggested to Liga Historia to make it an advocacy to convince the administration that the Philippine flag deserves a more prominent location in the DLSU campus.

We all wonder why the Philippines is still lagging behind its neighbors. The answer is simple: most Filipinos don't have a sense of nationalism. Only when we find ourselves, strengthen pride in our nation and what it stands for, will we begin to really move forward.

Looking back
Thanks to Alex Paglinawan for sending me this link to a video of Manila before WWII...

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