Wednesday, March 07, 2012

FAQs on why cement should not be applied on heritage churches

There seems to be a lot of misconceptions about cement and heritage churches. Members of the clergy are not aware that covering heritage churches with cement actually does more damage to the structure rather than protect it. This is also true for most built heritage made of adobe, brick or coral stone.

Interior of Paracale Church
In fact, during my recent trip to Camarines Norte, I noticed the exterior of the Paracale Church was covered with cement and the inside walls were moist and covered with moss. No wonder they complain that painting the interior was useless. The water seeped inside since the cement prevented the stone from breathing, blocking the water from evaporating outside.

Lime and cement plaster being applied on Vigan Cathedral (Photo from Shawi Cortez)
Right now, there is news about the cementing of the facade of the Vigan Cathedral which is part of the UNESCO World Heritage property, causing a lot of distress within the conservation community. It turned out to be a mix of cement and lime which may be acceptable in certain situations but not recommended since it makes the mortar brittle.

So what's all the fuss about cement? Here are some FAQs which can help us understand the damage cement can do.

What kinds of intervention cause damage or deterioration to an adobe, brick or coral stone structure?
According to Dr. Fernando Zialcita, peeling off the lime plaster (paletada) or applying a cement coat are not solutions. They actually cause more damage. He says, "Peeling off the lime plaster will expose the bricks to deterioration. On the other hand, a cement coating, being too dense, may keep the brick from breathing and cause its deterioration."

He adds, "The problem is that there has been a break in the transmission of traditional technology. This occurred after WWII. The spread of reinforced concrete caused builders to think that its principles could be applied to all types of buildings. And that they were always superior. Wrong!"

What damage can happen to a stone structure that is covered by a layer of cement?
Conservator Tina Paterno recounts her experience with the Sta. Ana Church which was covered in a layer of cement, "I remember knocking on Sta. Ana's walls, and localized areas were indeed hollow. The adobe is pulverizing at the surface, where water migrates when it wants to evaporate but can't do it quickly enough; so it is trapped right beneath the cement."

Stucco and Paint Restorer Tats Manahan, who worked on the Sta. Ana Church, adds, "The hollow sound in Sta. Ana was due to the pulverization of the adobe beneath the Portland cement which was a good inch or more. When we chipped off the cement, there were hollowed out parts of the adobe. The degradation was due to the water seepage from a leak on the roof, which was fixed first before applying the lime plaster, which was done in the standard three coats with the prescribed proportions of lime and sand on each strata."

Architect Dom Galicia agrees, "Portland cement does not allow water to escape, causing the stone underneath to turn to powder and the stability of the structure to be compromised."

How does one protect an adobe, brick or coral stone structure?
Paterno says the solution is the re-application of lime plaster. But it all depends on the material though. If a coral stone or light adobe structure was covered with cement, peeling the cement coat would be good for the building. Then re-application of lime plaster should follow.

Lime and sand paletada being applied on the Malate Church (Photo by Richard Bautista)
Is there a formula for mixing lime with sand? Is there a formula for how much lime to apply on a building?
According to Manahan, the general formula for the paletada mix is three parts lime and one part sand. But again, a structure must be properly studied and documented first to determine the situation and later decide on the solution. It is the degradation of the wall which will determine the sand grain and lime grind, and how much of the mixture to apply.

From the results of the documentation, you will also determine whether to chip off the old paletada, which may or may not be needed depending on the stability of what is existing. If it is still okay, one may leave it there, then apply an initial foundation that will blend in the old and new paletada before actually applying the new layer.

There are several variables and one needs someone trained to determine the proper approach. It must be stressed that you have to analyze the surface first to determine the need. There is no clear cut formula. But Manahan stresses that one thing is certain, you never stabilize an adobe or brick structure with cement. That is never done.

And you should avoid mixing lime with cement as well. That is called bastard lime which doesn't work for most adobe and brick. Manahan points out, "The reason why the use of Portland cement is discouraged for use in heritage buildings is because it is too strong a material to be put on top of natural stones like adobe. The softer lime and sand mortar is more compatible with the porosity of these stones. However, a Portland cement, lime, and sand plaster mix is acceptable for newer buildings using modern materials. It's great for granite grouting, for example."

She adds, "Mixing cement with lime causes brittleness of the mortar. It flakes off in large chunks, lifting off from the roughcoat, pretty much like uncooked kropek. Escuela Taller does not use cement and lime, but lime and sand. Christian Aguilar and I did the standard mix for Escuela Taller since both of us are instructors there."

Students of Escuela Taller applied a protective coat of lime and consolidated the walls of the Almacenes Reales in Fort Santiago. The final coat is yet to be applied. (Photo from Escuela Taller)
Who can be approached for advice on the proper materials, manpower and technology for the restoration of facades?
Escuela Taller is one possible source of skilled manpower. Escuela Taller "is a school that teaches trades within the construction industry, more importantly those that will help in the restoration of Intramuros and other built heritage sites in the Philippines. It was established through a grant from the Agencia EspaƱola de CooperaciĆ³n Internacional Para el Desarrollo (AECID) and the National Commission for Culture and the Arts, with its partners: the Technical Education and Skills Development Authority (TESDA), the Department of Social Welfare and Development (DSWD), and the Intramuros Administration (IA)." Their students and graduates have been trained in the proper application of lime coating among many other skills. You may contact them at escuelatallerintramuros@gmail.com.

Aside from government cultural agencies, the Heritage Conservation Society and ICOMOS Philippines also have members trained in conservation. You may contact the two organizations through their respective e-mails: info@heritage.org.ph and info@icomosphilippines.com.

Pasig Cathedral before work on the facade started in April 2006 (Photo by Christian Aguilar)
Pasig Cathedral in October 2006 after the lime plaster was completed (left) and with the new colors and plaster in June 2011. Notice the yellow, white and red combination based on historical colors during the Spanish colonial period (Photos from Christian Aguilar)
Won't applying a fresh coat of lime or paletada make a heritage structure look new?
In reaction to the lime washing of the Daraga Church, Archt. Manolo Noche comments, "True that sometimes the process of conserving may result in a sort of shock factor with the resulting finished product, as with the case of Daraga, Pasig, San Agustin, when a new coat of palitada was applied. But one should ask, are we to preserve what we are familiar with or preserve what is to ensure the continuing legacy of a patrimonial structure. Lime washing will definitely make the building appear white. But as I always say, give it time and it will start to turn grey, with all the pollution in the atmosphere. Personally, I find the white wash on Daraga rather pleasing and reminds me so much of the mission churches in California, which are all white washed."

Speaking about the Daraga Church, there were a lot of negative reactions to the lime washing of the facade. Archt. Rajelyn Busmente of the NCCA explained the process and methodology:

"In February 2009 the walls were cleaned by the NHCP.

Northern facade of the Daraga Church on April 27, 2009 (NCCA)
Northern facade of the Daraga Church after restoration (NCCA)
"For Phase I, conduit was the Municipality of Daraga and point person was Archt. Ana Lorilla under the supervision of National Museum. [Work] began on May 15, 2009 on the wall that faces Mayon, which included the following scope of works:

1. Mechanical and chemical cleaning
2. Repointing of loose stones
3. Repair and water proofing of concrete gutter / Removal of asbestos pipe, replaced with PVP Pipe.
4. Repair and consolidation of rubble stone and masonry / Restoration of stone sculpture and engravings
5. Restoration of buttresses
6. Lime plastering and lime wash

Main facade of Daraga Church on February 15, 2010 (NCCA)
Main facade of Daraga Church on April 14, 2011 (NCCA)
"For Phase II, implementor was Bicol Consortium for Development Initiative, Inc. and point person was Archt. Ana Lorilla under the supervision of the National Museum. The main facade scope of works included:

1. Mounting of scaffolding
2. Removal of cement plaster
3. Mechanical and chemical cleaning
4. Removal and loose stones and plants
5. Restoration of sculpture and engraving
6. Lime plastering
7. Repair and consolidation of stones
8. Lime washing

"The basis for restoring was done through study, research, laboratory testing, and sometimes experimentation. If the church was with paletada, then we put back what it had on, what others may call as Reverse Engineering. If it does not have paletada, further studies are done if the stones might need paletada and then this is placed as protective skin layer of the building.

"The lime wash had caused a culture shock amongst the community and tourists since most people are not familiar with lime wash, comments such as, 'Why did you paint the wall of Daraga Church white?' was a common question.

"The NCCA admits to the lack of public information drive in preparing the community and the tourists as to the visual impact that conservation and preservation does to the eyes. After 243 years of non-restoration, of course this is what will happen if it looks new again.

"In April 13-14, 2011, NM, NHCP and NCCA went to Daraga to meet with the Mayor to explain the buffer and core zone importance of a National Cultural Treasure. On the same day a forum with the media and public forum was also conducted explaining that what was done to the church was to protect, preserve, conserve and restore it so that future generations will be able to still have the heritage to enjoy. Painful as it may seem to most people even to the community who seemed to become angry, it is the scientific method and will continue to be done to all the National Cultural Treasures and other heritage churches that require paletada.

"Hope that more people would come to understand what heritage conservationists are doing to protect heritage and eventually accept it. I honestly believe we have a long way to go."

On the Vigan Cathedral, Dr. Zialcita confirmed that "Arch. Fatima Rabang, who has worked with the Committee on Monuments and Sites of the NCCA, is using a mixture of lime and cement. Not pure lime, rather with some cement admixture. Then Ricky Trota Jose texted me that Fr. Rory [Reyes], who is in charge of the entire project, says he is using a lot of lime sourced from the town of San Ildefonso. Fr. Rory too is a heritage buff, whom some of us know personally and admire."

Tuesday, March 06, 2012

Albay: Mayon Volcano, Cagsawa Ruins, Daraga Church, Lignon Hill & Balay Cena Una

Mayon Volcano as seen from Lignon Hill
It was a sunny day in Albay, perfect day to catch a glimpse of Mayon Volcano! It isn't my first time to visit Albay. But seeing Mayon again is something to look forward to.

We took a morning flight to Legazpi and were met at the airport by our guide from Donsol EcoTour for our tour around Legazpi City and neighboring Daraga.

Cagsawa Ruins
We first visited the Cagsawa Ruins. Unfortunately, a bridge going to the former parking area was washed away during a recent typhoon. So we had to cross a makeshift bridge to get there.

This view from the Cagsawa Ruins is probably the most popular shot of the Mayon Volcano, with the ruins of the Cagsawa belfry in the foreground. The Cagsawa Ruins are what remain of the former town that was buried by the 1814 eruption of Mayon.

Daraga Church
From Cagsawa, we proceeded to the Daraga Church. The facades, belfry and baptistry of the Daraga Church are designated as a National Cultural Treasure. I've always wanted to take a photo of the Daraga Church with the Mayon Volcano in the background. But in the many times that I visited, there were lots of vehicles parked in front of the church. I finally was given an opportunity during this trip! It is testament to the harmonious relationship between architecture and nature that made our country the Pearl of the Orient then.

Balay Cena Una
Lunch was at Balay Cena Una in Daraga, a beautiful example of adaptive reuse, reminding us that old architecture can be made economically-viable in the 21st century.

With Alberto Molero and Nellie Huang of WildJunket.com at Lignon Hill
Our last stop before proceeding to Donsol, Sorsogon was Lignon Hill. It was my first time up the hill. And it was definitely a revelation since it provided a really majestic view of the Mayon Volcano towering over verdant rice fields below. It's probably the best view of Mayon!

More photos of Albay, Sorsogon and Camarines Sur in the Ivan About Town FB page.

Thank you to Director Verna Buensuceso and Christie Navarro of the Department of Tourism Team Europe for arranging the trip of Nellie Huang and Alberto Molero of WildJunket.com to Bicol! Thank you also to Director Maria Ravanilla and Amy Detera of Department of Tourism Bicol Region for her valuable assistance and warm hospitality!

Wednesday, February 29, 2012

Pahiyas Festival 2012: Tour Quezon's San Isidro Labrador festivals


We're visiting the Pahiyas Festival again! And you're most welcome to join us! It may be a weekday, but Ultimate Philippines Tours will be driving down south on May 15, 2012 to bring you to the San Isidro Labrador festivals!



Yes, it's fiesta time this coming May and what better way to drink, eat and be merry as we head south to explore charming Quezon Province. It's the best time of the year as we join in the revelry and celebrate the feast of San Isidro de Labrador!

First stop is Lucban for breakfast and on to the Pahiyas Festival where we'll feast our eyes over a smorgasbord of food, music, artistry and local color in one of country's most spectacular fiestas!


Then it's on to the town of Tayabas where a traditional Tayabense lunch awaits over looking rustic Mount Banahaw. We'll also visit the town jewel, the Basilica of St. Michael the Archangel, a National Cultural Treasure, and experience the flying suman at the Mayohan Festival.


In the afternoon, we're off to charming Sariaya where our merienda awaits. We'll have an option to join in the town's traditional Agawan Festival or take a stroll down to admire the town's gracious colonial-period homes, a great way to cap-off a our 3-in-1 Quezon festival experience!

The tour departs at 4 a.m. on May 15, 2012 (Tuesday) from Starbucks 6750. We expect to arrive back at 7:30 p.m. Tour fee is Php4,500 per person, inclusive of transportation, sumptuous meals and the best local guides led by Tina Decal. Book a slot now by e-mailing info@ivanhenares.com.

Tuesday, February 28, 2012

UAP Code of Ethical Conduct tells architects to preserve & restore heritage

Meralco Building along San Marcelino Street (Photo by Ivan Man Dy)
Are you a member of the United Architects of the Philippines (UAP)? Are you familiar with the UAP Code of Ethical Conduct? The Heritage Conservation Society discovered some points in the Code of Ethical Conduct, particularly The Architect's Responsibilities in Relation to the People in Doc. 200 - Standards of Professional Practice.

It says, "(1a) The Architect shall seek opportunities to be of constructive service in civic and urban affairs and to the best of his ability advance the safety, health and well-being of the people and the community as well as the promotion, restoration or preservation of the general amenities and other examples of historic and architectural heritage of the nation."

It adds, "(5f) ...Architects are enjoined to preserve or restore as much as possible especially the few and remaining historic examples of our architectural heritage affecting this phase of practice."

We appeal to all members of the United Architects of the Philippines to uphold and respect their Code of Ethical Conduct. Here is the full text of the Architect's National Code - Code of Ethical Conduct (Doc. 200).

Tuesday, February 21, 2012

Europe: France, Switzerland, Liechtenstein, Italy, Vatican City, San Marino, Slovenia, Austria, Hungary, Slovakia, Czech Republic, Andorra & Monaco 2011

Before I forget, I'm posting the summary of photo albums from my Europe trip last November 2011. We drove through Europe visiting France, Switzerland, Liechtenstein, Italy, Vatican City, San Marino, Slovenia, Austria, Hungary, Slovakia and the Czech Republic. And I later took a train to Andorra and Monaco. Here are the photos from Eurpoe that have been uploaded to the Ivan About Town FB page.

November 8 - St. Gallen, Switzerland / Vaduz, Liechtenstein / ZĆ¼rich, Switzerland
November 9 - Bern, Switzerland
November 10-11 - Florence, Italy
November 11 - Pisa, Italy
November 12 - Rome, Italy and Vatican City
November 13 - San Marino / Venice, Italy
November 14 - Ljubljana, Slovenia / Graz, Austria
November 15 - Budapest, Hungary / Bratislava, Slovakia
November 16 - Vienna, Austria
November 17 - Prague, Czech Republic
November 22 - Lourdes, France
November 23 - L'Hospitalet-prĆØs-l'Andorre, France
November 24 - Andorra la Vella, Andorra / Toulouse, France
November 25 - Monte Carlo, Monaco / Nice, France
November 27-December 2 - Paris, France
December 1 - Versailles, France
December 2 - Chantilly, France
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